ერთ ცის ქვეშ

It is a real shame that these three vignettes have not been restored, where the woman's possible love affair leads to a fateful love destiny for each one, first with the haughty but beautiful Countess Maia who, stubborn about her ancestry, believed she was sentimentally dissuading Bondo while he diligently addresses to the sea; But it is there in the sea, where he will end up first presenting his ring and other jewelry as an offering. The night shots in the store with her beautiful face barely illuminated are of a delicate and sublime care at the same time; while the second story, that of the mysteriously beautiful Nana, played by the beautiful Kira Andronikashvili, wife of the writer Pilniak, has the musical backdrop of the chorus of Shostakovich's 7th Leningrad Symphony, and in this plot, the man who Not appropriate is Levani, more concerned with spending time on the roof admiring the city and enjoying the pigeons than with courting or fully responding to the questions on the subject of falling in love. until Levani goes to war, supposedly to become a hero. The dive shots on the ceiling between the boy Zuriko and Nana are fantastic. THE curious fact comes from, once again, the actress Andronikashvili dying very young, in fact less than a year before the publication of this work by Ghoghoberidze. THE third and last story, which jumps 20 years, from 40 to 60, is the one that proposes the least in terms of avant-garde but the most emotional in my opinion. Zaza's wasted talent finds a counterweight in the attraction that Rusudani feels for him and secondarily for his work. Once again the play of contrasts and the framing of Zaza's paintings with the woman's constrained face is the best.